Opposite or complementing, incompatible or logically interrelated are the paintings in this exhibition? The fact that on one canvas two formally anonymous images are situated does not always mean that they do not have a unified logic. “Vecherni novini” (“The Evening News”) contradicts one “accidentally caught frame” from the street traffic to another “accidentally caught frame” from the news of the Katar television. But maybe nothing is accidental. Under what logic “Rocko and Rock” combine the portrait of a Bulgarian boy and American actor? The narrative of the works is apparent, but there are many alternative possibilities for new “reading” and interpretations, which increase with each subsequent look. Maybe the laconic contradiction of formal values in a “Picture without a name” is far less definite.