Лого на Софийска Градска Художествена Галерия
Анимация по време на зареждане


METAMORPHOSES OF FABRIC Bulgarian and Chinese Fabric Art

07 December 2010 - 14 January 2011


“Metamorphoses of Fabric” is an exhibition showing the source of fabric art, namely the fibre, as well as the process of moving away from it. The exhibition presents the various trends in modern fabric art based on handling new sources of ideas, materials and forms. 

The exhibition is one of the initiatives under a project commemorating the 50th anniversary of the introduction of the “Fabric Art” programme at the National Academy of Arts, Sofia. The project is also a tribute to Prof. Marin Vurbanov, who initiated the programme, as well as to his contribution to the development of fabric art in Bulgaria and China.

The exhibition will afford the Bulgarian public the opportunity to view for the first time artworks by disciples and followers of Prof. Marin Vurbanov’s from the “Vurbanov” Institute at China Academy of Art, Hangzhou, Republic of China, namely Prof. Shi Hui, Prof. Zhu Wei, Liang Shaoji, Prof. Shan Zeng, Huang Yan Ying Xinxun. They are all well-established world-famous artists working mainly in the field of soft sculpture and fabric art, skillfully experimenting with various materials and techniques, as well as with the opportunities to make the best use of space, which are deeply rooted in the tradition of Eastern culture and philosophy.

The Bulgarian textile artists, whose works are featured in the exhibition, teach textile art at the National Academy of Arts, Sofia and are known to the Bulgarian public: Prof. Anna Boyadjieva, Assadour Markarov, Assoc. Prof. Verjinia Todorova – Markarova, Ph. D., Adelina Popnedeleva, Ph. D., Tsveta Yavasheva - Ivanova.

Exhibition curators: Asadour Markarov, Verzhinia Todorova - Markarova, Shu Houey

Exhibition co-organizers: the National Academy of Arts, Sofia and the China Academy of Art, Hangzhou, Republic of China.







THE STUDIO. MUSES AND MODELS

01 December 2010 - 20 February 2011


The “The Studio. Muses and Models” exhibition comprises part of a succession of thematic exhibitions organized by SCAG experts in the past several years. Following the “Self-portrait. Conspicuous Images and Hidden Meaning” and “Points of Intersection. Portraits of Artists by Other Artists” exhibitions, the latter project offers yet another glimpse at the artist’s inner world. 

The exhibition focuses on the studio, the artist’s sacred personal space, which most often remains hidden from the eyes of outsiders. Based on a timeline of the history of Bulgarian art between the 1920’s and the present day, the exhibition is a study of artists’ attention to the studio. The exhibition features a wide circle of artists, presenting the works of familiar, as well as less familiar Bulgarian artists. The time period covered by the study allows the viewer to trace the approaches of different generations of artists.

Besides paintings, the exhibition features documentary material in the shape of photographs of various studios. The unique dialogue between the artworks and the archive and contemporary photographs offers different perspectives on the studio, thus allowing the viewer a variety of opportunities to have a glimpse at the artist’s inner world.

The works selected for the exhibition revolve around several sub-themes, namely studio – interior; studio – still-life; and the artist and the model in the studio. The exhibition features more than 130 paintings and about 60 photographs, including works by Olga Bradistilova, Elisaveta Konsoulova-Vazova, Andrey Nikolov, Asen Peykov, Vera Nedkova, Dechko Ouzounov, Nenko Balkanski, Pencho Balkanski, Ivan Penkov, Slavka Deneva, Georgi Pavlov, Atanas Yaranov, Naiden Petkov, Yordan Katsamounski, Georgi Bozhilov, Dimitur Kirov, Dolores Dilova, Nikolay Yanakiev, Lyuben Zidarov, Vasilka Moneva, Marko Monev, Roumen Skorchev, Svetlin Rousev, Sirma Sarafova, Andrey Daniel, Gredi Assa, Stanislav Pamoukchiev, Edmond Demerdzhian, Ivaylo Mirchev, Minko Yovchev, Alexander Petkov, Nina Rouseva, Atanas Atanasov, Violeta Tanova, Marina Marinova and many others.

The artworks are the property of the Sofia City Art Gallery, the National Art Gallery, the Plovdiv City Art Gallery, the Pleven City Art Gallery, the “Svetlin Rousev” Collection-Donation in the city of Pleven, the Bourgas City Art Gallery, the Rouse City Art Gallery, the Sliven City Art Gallery, the Stara Zagora City Art Gallery, the Dobrich City Art Gallery, the Pazardzhik City Art Gallery, the “Old Plovdiv” municipal institute, the Kazanluk City Art Gallery, the Kyustendil City Art Gallery, the “Angel Simeonov” Collection, the Union of Bulgarian Artists and private collectors. The photographs featured in the exhibition are the property of the “Archives” State Agency, the Research Archive of the Bulgarian Academy of Sciences, the Lom City Museum of History and private individuals.

A catalogue for the exhibition is available on CD-ROM.
The exhibition is curated by Milena Balcheva.

The project was made possible through the joint efforts of Adelina Fileva, Maria Vasileva, Daniela Choulova- Markova, Nadezhda Oleg-Lyahova, Ilinka Chergarova, Marin Marinov, Peter Dimov, Stefan Stefanov.







THE CITY WE CANT LIVE WITHOUT FIRST INTERNATIONAL CARTOON EXHIBITION SOFIA 2010

27 October 2010 - 28 November 2010


The exhibition is a large-scale international eventpresenting a variety of styles and trends in cartoon drawing through works devoted to the topical and ever so sensitive issue of man and the city. Transcending the bounds of what is simply funny, the said works encourage contemplation and make alarming conclusions, reminding about the responsibility we all share in the effort to prevent the pending world catastrophe. On the other hand, charged with the indestructible power of laughter, the cartoons also inspire hope that man has the capacity to change the course of events andtake good care of the Earth, our only home, the home that all of us share.

Some 386 works from 50 countries around the world were turned in for participation in the exhibition. The jury has selected 96 caricatures by 78 artists from 29 countries.

The originals of the latter works will be on display at the Sofia City Art Galleryexhibition hall, while their enlarged copies will be featured in an exhibition put up on the bridge behind the National Palace of Culture.

Prize winners will be announced upon the exhibition’s opening at the Sofia City Art Gallery. Selection has been made of the first, second and thirdprize winners, as well as of the winners of 10 other special prizes to be awarded on behalf of media partners.

The exhibition organizers seek to establish the event as an annual international cartoonists’ festival.

The exhibition was organized in cooperation with the Sofia City Municipal Authority, the “Cartoon drawing” section at the Union of Bulgarian Artists, FECO – Bulgaria /Federation of Cartoonists’ Organizations/, SRN – Bulgaria /Organization for the Protection of Cartoonists’ Rights/.







XXL GROUP REMINISCENCES OF THE 1990S

12 October 2010 - 21 November 2010


Svilen Stefanov, Houben Tcherkelov, Kosio Minchev, Georgi Tushev, Ivan Kiuranov, RASSIM, Genadi Gatev, Georgi Rouzhev, Peter Raychev, Anatoliy Osmolovski, David D’Agostino, Boris Serginov, Rosen Toshev, Krassimir Dobrev, Dimitar Yaranov

The exhibition features selected works by artists from the XXL Gallery circle. The said gallery existed during the 1990’s in Sofia. In artistic circles the group has traditionally been associated with intentionally provocative artworks, actions and exhibition concepts. The group’s main strategy is to dare the public to notice and respond to art, adopting a critical stance on anything traditional, as well as on politics, social morals and popular culture. 
„…What distinguishes these artists from other artists is their clear willingness to promote social radicalism in art, focusing on burning social issues, mutating morals, political perversions and even the status quo-loving stance of quasi-commitment, adopted by certain artistic circles. There is willingness to encourage new moral action aiming to change social imagination, yet not in a prescriptive manner, but rather by attempting to activate the process of autocommunication in each and every viewer tempted by modern art…”, as Svilen Stefanov puts it with reference to the said group. 
The Sofia City Art Gallery-hosted exhibition includes videos, photographs, paintings, installations and objects created by members of the circle and featured in XXL Gallery exhibitions over the group’s most productive period, namely between 1994 and 2003.
This exhibition is based on a series of defining events from XXL’s history, while in November the “Academia” Gallery will be hosting the sequel to the exhibition, which will feature new works by the same artists, who have been working in Bulgaria and the USA over the last years.
The XXL manifesto was written in January, 1995 and was first published in the “Koultura” newspaper to be supplemented and republished later in the “Literatouren Vestnik” newspaper. In 1996 the group founded the XXL Gallery and the “Contemporary Art” Foundation, both of which went on to exist until 2003 at 2 “Macedonia” Sq. in Sofia. 
Some of the most popular exhibitions initiated by the XXL circle are: “Kosio, Houben, Tushev” (1997), “Dimensions of Violence” (1998), “Gangstart” (1998), “Antifeminism, Antimachismo“ (2000), “Let kick the culture” (2000), ”Bulgarian Landscape As a Methaphor” (2001), as well as the exhibition cycle ”New Radical Practices” (1997 through 2001).
Regardless of the fact that the gallery closed down after the "Anti-Saxe. New Political Art" exhibition in 2003 and the larger part of the artists belonging to the group emigrated, they never lost touch, and kept working till the present day in various genres and various placesround the world.

http://xxlgallery.hit.bg/







Lika and Genko

05 October 2010 - 21 November 2010


Lika Yanko (1928-2001) and Genko Genkov (1923-2006) are two Bulgarian artists who ventured into the art scene at a time of dramatic changes. Two artists, who, in an age of incessant compromising, never gave up their beliefs, both of them finding their own truth in art in their own individual ways. Genko – expressively and exultantly and Lika – in a relaxed in-depth manner.

During the 1950’s Lika and Genko stayed close to one another in terms of style, creating landscapes, whose colours and form do not stick to the prescriptive norm of socialist realism. Later, during the 1960’s, they gradually start heading in opposite directions, Lika’s white canvases standing in contrast with Genko’s explosions of colour. All of this culminates in his almost abstract landscapes and her mythological-cum-poetic compositions. Side by side display of their works allows the viewer to trace the intrinsic similarity between them. Lika relies on linearity to transform the medieval Christian Orthodox style of icon-painting, while Genko ferociously interprets its iconic colourfulness. 

The “Lika and Genko” exhibition is an attempt to reveal the main directions in two artists’ journeys to their own selves. The choices they made as human beings and artists prove that getting to the end of the road to divinity invariably involves passing through the gate of freedom. 

The exhibition was organized in cooperation with theNational Art Gallery, the Varna City Art Gallery, the Sliven City Art Gallery, the Kurdzhali City Art Gallery and private collectors.

Curator: Krassimir Iliev







AQUARIUM Works from the Contemporary Art Collection of the Sofia City Art Gallery

29 September 2010 - 22 October 2010


This is the first joint project of the Sofia City Art Gallery (SCAG) and the University of Sofia in the common effort to promote contemporary art and encourage communication with it. The artworks featured in the exhibition leave SCAG storerooms to find opportunities for a dialogue in a lively dynamic environment.

The exhibition views the aquarium as a replica of the world, a cultivated space, where life exists with its joys and dramas. The idea of the aquarium was suggested by exhibition venues themselves, which look like aquariums with their glass display cases. The aquarium does also refer to the seat of learning as an incubator of life processes.

The exhibition features works from the SCAGcollection by some of the most prominent contemporary Bulgarian artists, including Sasho Stoitsov, Mariela Gemisheva, Krassimir Terziev, Mihaela Vlasseva, Nadezhda Oleg Lyahova, Ivan Kostolov, Rassim, Ivan Moudov, etc. The exhibition features paintings, photographs, objects and installations.

The works selected for the exhibition explore the interaction between humans and their surrounding environment. In this case this is a specific city in a specific country in a specific time frame, namely Sofia, Bulgaria at the turn of the century. What is happening to the contemporary human here and now? Has his/her idea of the world and ways of communicating with other people changed? Can we spot the changes having occurred in the world relying on the works of contemporary artists?

The exhibition presents the most popular trends in contemporary art with original works demonstrating social commitment.

The Sofia City Art Gallery works with young artists and art critics, developing special programs aiming to integrate the latter into the contemporary art scene. Therefore, cooperation with the “St. Kliment of Ohrid” University of Sofia provides a good opportunity to attract new audiences.

Project curator: Maria Vassileva, chief SCAG curator. 







TRACES OF THE CITY JOSEF OBERBAUER (1854 1926)

14 September 2010 - 17 October 2010


Josef Oberbauer was the first artist to devote most of his artistic efforts to the depiction of Sofia. His documentary-style watercolour paintings and drawings provide invaluable evidence of what the capital city and other cities throughout Bulgaria looked like in the late 19th and early 20th century. A passionate traveler, he drew pictures of the cities of Nesebur, Veliko Turnovo, Tryavna, being attracted by houses of worship, old houses, cemeteries, fortress walls remains, open air markets, inhabited with an impressively diverse multitude of people wearing various traditional garments. These paintings-cum-authentic documents captured the spirit of an age, gradually giving in to the pressure of Europeization. 

He was particularly interested in places whose mission it is to preserve spirituality, such as monasteries and churches. He painted a series of paintings featuring the St. Sofia Basilica, the most prominent of the capital city’s landmarks at the time, allowing the viewer to trace the architectural transformations underwent by the said church. He also depicted the Rila Monastery, churches in the city of Nesebur, the Bachkovo Monastery, the “Forty Holy Martyrs” Church in the city of Veliko Turnovo and many others. 

In his capacity of chief draughtsman at the Sofia Municipal Council, he drew a plan of the neighbourhoods of Banishor and Draz, featuring the remains of the northern part of the ancient city of Serdica’s fortress wall. The said plan provided the basis for the his watercolour painting ”Reconstruction of Ulpia Serdica”, where he combines fact and imagination to represent the image of the ancient city.

It is interesting to study the new developments in the city and trace the various transformations it has undergone. Some places have stayed the same, others have been destroyed. Oberbauer’s images of Sofia convey a sense of relaxation, yet also of anxiety, caused by the awareness of the passing of time. 

Oberbauer’s paintings were a reproach for the city planners of his time and their negligent treatment of the remains and traces of ages gone in a time of dynamic changes. They are also a cautionary tale for architects of today.

The exhibition features 78 drawings and watercolour paintings, as well as the most interesting of his original hand-drawn maps of the city. The exhibition is the result of the combined efforts of the Museum of Sofia History and the Sofia City Art Gallery.

An exhibition catalogue is available







POINTS OF INTERSECTION Portraits of Artists by Other Artists

29 June 2010 - 26 September 2010


The exhibition features portraits created between the late 19th century and the early 21 century by various generations of artists. The broad time span allows the viewer to follow the transformations in the mutual perceptions of artists.

The exhibition reveals the popularity of the genre of portrait painting, the quality of artistic output, as well as the interest demonstrated in artists and critics as models. It may be viewed as part of a succession of exhibitions that started with the “Self-portrait. Visible Image and Hidden Meaning” exhibition hosted by the Sofia City Art Gallery in 2006. While the “Self-portrait” explores the artist’s view of himself/herself, the current exhibition reveals the life of an artistic community as depicted by insiders through the modifications in the meaning of the artist-to-artist and artist-to-critic relationships. 

Traditionally, Bulgarian portrait painting is characterized by emphasis on form, relatively sustainable compositional patterns and formal setting. Portraits featured in the exhibition can be grouped into several categories, reflecting the trends in an artistic dialogue. Those are portraits documenting a personal relationship (an intimate relationship, relationship between spouses), portraits documenting the parent-child relationship within the context of continuity between generations, portraits presenting informal artistic circles and friendly societies, and portraits documenting an actual event in the life of the artistic community or revealing institutionalized communication. Portrait painting as a type of communication can be found in the so called “pair portraits”, where artists belonging to the same or different generations have portrayed each other. 

Portrait painting is a type of communication. When there is such interaction going on between an artist and a critic things become multifaceted and complicated. The role of the critic has changed through the years. The portrayal of the images of prominent art and literary critics belonging to different periods in the history of Bulgarian art reveals yet another layer of life on the Bulgarian art scene.

The exhibition features canvases created in the period between 1898 and 2010, part of them being brought to the attention of the public and researchers for the first time. The CD-ROM available at the exhibition features 165 artworks by 98 artists. 

The works featured in the exhibition belong to the Sofia City Art Gallery, the National Art Gallery, “Svetlin Rousev” Atelier Collection, National Academy of Arts, Art Gallery - Varna, Art Gallery - Vidin, Art Gallery - Dimitrovgrad, Art Gallery - Pazardzhik, Art Gallery - Pleven, Art Gallery - Plovdiv, Art Gallery - Kazanluk, Art Gallery - Kyustendil, Art Gallery - Sliven, Art Gallery - Stara Zagora, Art Gallery - Strazhitsa, Art Gallery - Turgoviste, Art Gallery - Razgrad, Art Gallery - Rouse, Art Gallery - Shoumen, “Old Plovdiv” Municipal Institute, the Union of Bulgarian Artists and private collections.

Curator: Daniela Chulova-Markova







Exhibition of the BAZA Award for contemporary art nominees: Anton Terziev, Vikenti Komitski, Orlin Nedelchev, Raycho Stanev, Svetlana Mircheva, Stefania Batoeva, HR-Stamenov

15 June 2010 - 18 July 2010


The BAZA award for contemporary art is to be presented for the third consecutive year to a young visual artist. It constitutes part of an international fellowship award program for young visual artists in the region of Central Europe and the Balkans (YVAA, Young Visual Artists Awards), launched in 1990 and managed by the International Studio and Curatorial Program (ISCP), New York. Bulgaria joined the program in 2008 on the initiative of Maria Vassileva, establishing the BAZA award, which is organized by the Institute of Contemporary Art – Sofia. The exhibition of nominated works will be hosted by the Sofia City Art Gallery. The award comprises a six-week travel fellowship to New York and a solo exhibition at the gallery of the Institute of Contemporary Art – Sofia. Eligible for the award are artists under 35 years of age, working in any medium of contemporary art. The award winner will be announced at the exhibition opening.

Now that it is 2010, it is already possible to sum up all BAZA-related events. In October-November 2009, the first BAZA award winner, Rada Boukova, had a solo exhibition entitled STILL LIFE ...all the rest is by the way... at the gallery of the Institute of Contemporary Art – Sofia, and at the beginning of 2010, the 2009 BAZA award winner, Samuil Stoyanov, successfully completed his residency in New York. Broadening of the scope of opportunities for professional fulfilment and networking is one of BAZA’s top priorities. In 2009 the Vaska Emanouilova Gallery hosted a solo exhibition of Luiza Margan, winner of the OHO award, which is the equivalent of the BAZA award in Slovenia. 

The nominees for the 2010 BAZA award were selected out of a total of 35 applicants. The winner will be chosen following consideration of projects completed, particular attention being paid to the work presented at the exhibition. This year’s nominees have been working predominantly on new projects, specially completed for the event, as well as on the the further development of artworks that have already been on display – mainly objects, video and installations. 

Members of the BAZA 2010 jury are as follows: Iara Boubnova, Luchezar Boyadjiev, Nadezhda Oleg Lyahova, Rene Beekman and Daniela Radeva.

The winner is Anton Terziev







More or Less Exhibition

26 May 2010 - 18 June 2010


More or Less is the major exhibition within the second edition of Sofia Design Week 2010. The idea for the exhibition was initiated by Vasil Iliev, art director of the “One” magazine.
What exhibition participants, namely the KesselsKramer communications agency, journalist Andrew Losowski and multidisciplinary artists Helmut SchmizH Thomas Mailender, Daniel Eatock and Francois Nouguies, have in common is that they approach modern design with a sense of humor, thus questioning its value. 
The Dutch artist Helmut Schmiz comes up with designer solutions which strike us a quite uncommon. The English artist Daniel Eatock, on his part, playfully touches upon the issue of the smoking ban in Bulgaria, presenting a collection of unusual alternative versions of the classic “No Smoking” sign. The exhibition witl also feature a presentation of an action entitled “Do a plastic bag” by the KesselsKramer communications agency, which is famous for its nontraditional approach to advertising. Basically, the action seeks to create new designer objects out of used plastic bags. Another highlight of the exhibition are the works of French artists Thomas Mailender and Francois Nouguies s, who are trying to eliminate the boundary between art and design through their work. Another participant in the exhibition is Andrew Losowski, who is a passionate fan of independent magazines, fond of transforming hardcopy editions into design objects.
The exhibition is one of the events featured within the SOFIA DESIGN WEEK 2010. it is organized by the “One” magazine with support from the America for Bulgaria Foundation.





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