Лого на Софийска Градска Художествена Галерия
Анимация по време на зареждане


A POSSIBLE HISTORY

12 September 2012 - 02 March 2013


This project is an attempt to present, both visually and theoretically, the development of Bulgarian art from the late 19th century through the present day. The visual aspect of the exhibition involves the artifacts belonging to the museum collection, while the theoretical component comprises texts analyzing artistic developments. The study of the latter was structured as follows: analysis of six periods with five sub-themes each. Prominent Bulgarian art historians, namely Irina Genova, Tatiana Dimitrova, Chavdar Popov, Boris Danailov, Diana Popova and Maria Vassileva, were invited to research developments in Bulgarian art based on the gallery’s collection and consequently offer their reviews. The individual parts of the study comprise a comprehensive view of history from a modern vantage point. Each period and its sub-themes reveal the most significant aspects of their time. The project, comprising an exhibition and an exhibition catalogue, is highly educational, as it aims to make a clear, user-friendly outline of major tendencies and trends.

The exhibition elaborates on issues, which were either never brought up before, or were presented outside the context of their time and the overall logic of artistic developments. Examples include early 20th century themes such as interest in the Orient or salon portraiture, as well as the development of art from the early 1950’s through the mid-1950’s. The project is an attempt to view art history from all sides in order to challenge stereotypical perceptions or ideology-based interpretation of artworks and offer a modern viewpoint that is as objective as it is possible.

The study is based on the museum’s collection, whose scope and comprehensiveness allow such a broad view of history. The collection, which dates back over 80 years, now features more than 8, 000 artworks, belonging to the genres of painting, sculpture, graphic art, contemporary art and photography. Its building is related to the overall development of modern Bulgarian art, which went a long way within a century, namely between the Liberation of Bulgaria from Ottoman rule (1878) and the early 21st century, going through various intensive processes of initiation, institutionalization, and recognition. This development was marked by change and reconsideration of values, prompted by various art-related and political factors, namely the willingness to measure up to European art and culture and build a tradition, which would create a sense of history and thus contribute to the social significance of art. "

"A Possible History“exhibition offers an interpretation of Bulgarian art history through the gallery’s collection, as the latter features various, and unique, unknown and emblematic artworks and names, which have a prominent place in the development of Bulgarian art. This new project and study concerning the art collection of the Sofia City Art Gallery do not only aim to contribute to the already voluminous body of research, exploring the collection’s beauty, richness and significance. This exhibition and study offer a chronological outline, as well as a comparison of styles and themes, which reveals the points of intersection between the views of various artists, associations of artists, and artistic trends. Thus the exhibition and the study related to it consider various trends in the history of Bulgarian art over the period between 1878 and 2012, which came to interact with one another, while taking turns at the dominant position in the course of the decades. 

The 200-page exhibition catalogue features 300 reproductions and texts in Bulgarian and English.

The “Vaska Emanouilova” Gallery, which is a branch of the Sofia City Art Gallery, also came up with new permanent exhibits. Vaska Emanouilova’s art was considered and presented chronologically through her work, as well as by photographs, documents and the accounts of renowned art historians and fellow artists.

The “Possible History“ exhibition was made possible with kind support from the Ministry of Culture, the Sofia Municipality, OGNYANOVO K Plc.,PLENA Group Company, METROREKLAMA, CEZ- Bulgaria, REOFIX SMLLC and in media partnership with the Bulgarian National Television and the Bulgarian National Radio.







Exhibition of the BAZA Award for contemporary art nominees: Kiril Kuzmanov, Kosta Tonev, Leda Ekimova, Maximilian Pramatarov, Pavel Lefterov, Zoran Georgiev

26 June 2012 - 22 July 2012


The exhibition marks the fifth release of the BAZA Award for contemporary art. It was established in 2008 on the initiative of the Institute of Contemporary Art – Sofia and exists as a part of an international awards network for young artists based in New York City. Following the tradition, the exhibition of the nominees is realised with the cooperation of the SofiaCity Art Gallery and in one of its halls. The Award is unique for Bulgaria and comprises a six-week residency at the International Studio and Curatorial Program (ISCP), New York City, and a solo exhibition at the Institute of Contemporary Art (ICA) gallery in Sofia. The first four BAZA award winners are: Rada Boukova (2008), Samuil Stoyanov (2009), Anton Terziev (2010) and Vikenti Komitski (2011). Their experience from the residence in New York City already proved the efficiency of such awarding format because of the widening of the professional and fellow contacts, the invitations for participation in exhibitions in different countries as well as the knowledge gathered through the observation of the New York City art scene.

The aim of the nominees exhibition is to present the best of the work of each chosen artist and to give an idea about his or hers individual art preferences. In the upcoming exposition new works of art are predominant which were especially planned and realized for this occasion. 
The works of Zoran Georgiev focus on the topic for the way of artefacts through history and the working process perceived as a link between the making of art and the non-art activities. Leda Ekimova is interested in the human emotionality, expressing this through symbols of the body and organic materials. Kiril Kuzmanov explores the idea of the travelling, the moving and the image of the artist not as a tourist, but as a traveller. The youngest participant Pavel Lefterov joints the exhibition as an example for intense mastering of painting and direct look at the mass culture and consumer society. Maximilian Pramatarov is occupied with manipulation of documental images, adding sense changes through the technical means of photography. The works of Kosta Tonev show his long-time continuity in the assessment of words and terms based on postulates of the modern art history. 

In 2012 members of the jury are: Maria Vassileva (curator, chief curator of the Sofia City Art Gallery), Iara Boubnova (curator, director of ICA-Sofia), Nedko Solakov (artist), Boris Missirkov (photographer), Olivier Boissiere (contemporary art collector).

LEDA EKIMOVA IS THE AWARD WINNER.

Zoran Georgiev was born in 1985 in Gevgelia, Republic of Macedonia. In 2012 graduates in painting at the National Academy of Art (NAA), under professor Andrei Daniel. Works on painting, video, installation and objects. Award winner for painting from the Competition for young artists, critics and curators of the “St. Cyril and St. Methodius” international foundation. 

Leda Ekimova was born in 1980 in Svishtov. In 2004 graduates in Fashion at the NAA. Works as an artist,fashion designer and curator. Founder of the “Pistolet” gallery and the fashion label “Chaika”. In her art expressions she prefers the means of painting and installation.

Kiril Kuzmanov was born in 1981 in Sofia. In 2009 graduates in Sculpture at the NAA, under professor Emil Popov. In his work he experiments with interventions in the urban environment or exhibition spaces, using different means of expression. In 2009 he wins First price in the Turgusun Arts Festival, Kazakhstan. 

Pavel Lefterov was born in 1994 in Sofia. Studies at the National school for fine arts “Ilia Petrov”. Participates in several joint exhibitions, among which SAATCHI ONLINE at the exposition ARTPARIS JUST ART, Grand Palais March, Paris, 2011. Award winner from the Sixth national competition for academic painting, Sofia, 2010.

Maximilian Pramatarov was born in 1979 in Sofia. In 2002 he graduates in Theology at the Sofia University, and in 2011 - at the University of Applied Arts in Vienna. Works mainly in the area of photography, lately experimenting with the lenticular technique for 3D printing. In 2006 receives an award from the international magazine for photography and media artEIKON. 

Kosta Tonev was born in 1980 in Plovdiv. In 2004 he graduates in painting at the NAA, under professor Andrei Daniel. In 2008 graduates painting at the Academy of fine arts in Vienna. Works on painting, video, photography and installations. Known to the public through numerous participations in exhibitions in Bulgaria and worldwide.







КОЛЕКЦИЯТА. НОВИ ПОСТЪПЛЕНИЯ 2010-2011

14 June 2012 - 26 August 2012


Софийската градска художествена галерия представя най-новите постъпления във фондовете Живопис, Графика, Скулптура и Съвременно изкуство и фотография, приети през последните две години като откупки или дарения. По традиция от 2008 г. насам музеят се отчита с подобни изложби пред своята публика и показва политиката си по отношение попълването на колекцията.

Благодарение на финансовата подкрепа на Столична община през 2007 година галерията реализира първите след повече от 15 години откупки на художествени произведения. Оттогава всяка година с прецизна селекция във фондовете на музея влизат различни по характер творби. Даренията също са важен източник за обогатяване на колекцията. 

Както и досега, попълването върви в няколко посоки. Едната е издирване на класически произведения на българското изкуство, които липсват или не са достатъчно добре представени в колекцията (Никола Георгиев, Николай Ростовцев, Георги Велчев, Пенчо Балкански). Другата е проследяване развитието на автори, които се определят като утвърдени в българската художествена култура и пълноценното им показване изисква включване на работи от различни периоди на творческото им развитие (скулптурите Томас Кочев и Емил Попов, графика Иван Нинов, живописците Йоан Левиев, Румен Скорчев, Андрей Даниел, Греди Асса). Селекцията обръща специално внимание на поколението художници, което се утвърждава след втората половина на 80-те години и поради трудния преходен период остава извън музейните колекции (Румен Жеков, Долорес Дилова, Онник Каранфилиян, Васил Попов). Продължава линията на обогатяване на фондовете с млади живописци (Нина Русева, Александър Петков) и графици (Любомир Кръстев). Интересен акцент тази година представляват новопридобитите карикатури – една силно подценявана от музеите област на художествено изразяване (Алла и Чавдар Георгиеви, Чавдар Николов, Христо Комарницки, Стефан Десподов, Румен Драгостинов, Иван Кутузов). СГХГ продължава да попълва и своя фонд „Съвременно изкуство и фотография“, който е без аналог в българската музейна практика (Васил Симитчиев, Аделина Попнеделева, Недко Солаков, Даниела Костова, Нина Ковачева и Валентин Стефанов, Калин Серапионов, Борис Мисирков и Георги Богданов, Рада Букова и др.).







14 June 2012 - 26 August 2012








ANGEL STANEV Sculpture and Drawings

19 May 2012 - 17 June 2012


Angel Stanev is an artist who, in the late 1970s, boldly transformed the routine plastic language of sculptural material. At first glance, his works resemble sketches, moreover that many of them are misleadingly called exactly this way. In fact, everything unnecessary in them is drastically removed in order maximum concentration of depiction to be obtained. Space powerfully invades matter, blows away the unneeded and leaves laconic fragments built with filigree delicacy. This unusual artistic language has been eagerly accepted and thus it raised numerous followers in the range between the simple plagiarism and the creative artistic communication.

The exhibition was contemplated as a narrative of the events in Bulgarian sculpture since the mid 1970s until nowadays – its most dynamic period through the art of its most heuristic representative. It is no coincidence that the exhibition is in Sofia City Art Gallery where the most of Angel Stanev’s works are kept. Among them, there is Swing with Muse (Dedication to Dimcho Debelyanov), a work charged with sarcasm to the illusory expectations for creativity, that deservedly provoked unrest debates for an hour among the jury of the Youth Exhibition in 1978; there is also Head from 1979; Figure from 1979, played on the thin string of a violin; as well as the wind drifted Figure from 1984.

His works combine extreme sensuality and radical asceticism, and they represent an uncompromising, consistent exploration of the wind sound in the bell, of the empty space of a swing and the rhythm between swings, of the echo of the ring - more and more laconic, more and more powerful. For this exposition, Angel Stanev created a version of a composition of his, which has been thought over for decades. In it, the voice of the bell and echoing of the ring combine in a monumental scale. We can discover these sounds still in his early drawings. For the artist, the drawing - even when embroidered with magnifying glass, even though being a result of an explosion of spots and lines - has the mission of a creative enlightenment which can unlock plastic transformations for decades.







60 Years Together with the Sofia City Art Gallery The immortalized moments of the gallerys history, presented by 60 posters

19 May 2012 - 30 May 2012


On the eve of the international cultural initiative “The Night of Museums“, the landmark “Lovers’ Bridge” in the capital city will host the “60 Years Together with the Sofia City Art Gallery”. The event constitutes part of the program for the gallery’s team to celebrate the institution’s 60th anniversary together with the public.

In 1928, following an order of the then mayor, General Vladimir Vazov, the Capital City Municipal Museum was founded to commemorate the 50th anniversary of Sofia’s Liberation, as well as the 1000th anniversary of the Golden Age of Bulgarian Culture. This marked the beginning of the process of collecting materials, providing an account of Sofia’s history, culture, and art, namely books, documents, photographs, maps, city plans, archaeological finds, household artifacts, sculptures, paintings, graphic artworks.

Starting in 1929, the museum kept changing locations until the opening of a special building in 1941 on 3 “Banski” Square (demolished during the March, 1944 air raids). In 1948, part of the museum’s collection was transferred to the newly-established National Art Gallery. In April 1952, the City Museum ceased to be the home of the library and archive, and in October the same year the Sofia History Museum and the Sofia City Art Gallery became autonomous institutions. During the late 1980’s artist Vaska Emanuilova donated a substantial part of her work, which provided the basis for the collection of the “Vaska Emanuilova” Gallery, currently constituting an annex to the Sofia City Art Gallery, as well as a venue for the development of young Bulgarian artists.

The exhibition features documentary photographs, presenting the history, initiatives and significance of the SCAG in the period between 1928 and 2012. The “immortalized moments“ of the gallery’s history, presented by 60 posters, do not only savor the memory of the gallery’s past, but also provide an account of the variety of initiatives and events launched by the gallery at present.

The exhibition was organized in partnership with and with kind support from the Capital City Municipal Council, the BULPHOTO Agency, the Sofia State Archive, the “Old Sofia” municipal enterprise.







MusTempo. Contemporary Art and Photography Collection of the Sofia City Art Gallery Graffit Gallery Varna, Bulgaria

10 May 2012 - 30 May 2012


The MusTempo exhibition is a specially designed concept as a contribution of the Graffit Gallery to the traditional Con.tempo Festival for Contemporary Art (10.05.-14.05.2012), organized by the the Raya Georgieva Foundation in Varna for the fourth year. It is a non-commercial platform for promotion and presentation of young Bulgarian artists under the age of 35.
MusTempo presents the Contemporary Art and Photography Collection of the Sofia City Art Gallery, which has no analogue in the Bulgarian museum practice. Founded in 2004, it currently includes 300 artworks from the mid-80s of the 20th century until today. The fund tracks the latest trends in art, which came around and after 1989.
The collection is primarily a result of the efforts towards the integration of the contemporary art into a classical museum institution. It is a follow-on of a general policy of the gallery: to show Bulgarian and international exhibitions of contemporary art; to create an archive of Bulgarian contemporary art; to organize presentations of artists, conferences and debates, dedicated to contemporary art; to support the Places to Meet Museum Program for Young Artists and the BAZA Contemporary Art Award (in collaboration with ICA-Sofia).
Initially, the Contemporary Art and Photography Collection relies entirely on artists’ donations. Since 2007, Sofia Municipality annually allocates funds to replenish the fund, allowing it to take longer-term decisions regarding its content.
The establishment, the maintenance and the development of a collection is not an isolated phenomenon but part of overall motivated efforts. The collection would not be possible, or at least would not be so visible without the established platform for contemporary art in the Sofia City Art Gallery. Its contribution, beside the storage of the gathered artworks, is significant - the institution responsibly stands behind the contemporary art as initial part of the Bulgarian culture.
The MusTempo exhibition is conceptually gathered for the Graffit Gallery. It features works by: Adelina Popnedeleva, Alla Georgieva, Ani Vaseva, Bora Petkova, Boris Misirkov & Georgi Bogdanov, Boryana Rossa, Daniela Kostova, Ivan Moudov, Kalin Serapionov, Katia Damianova, Kiril Prashkov, Kosta Tonev, Krassimir Terziev, Luchezar Boyadjiev, Mariela Gemisheva, Nadezhda Oleg Lyahova, Nedko Solakov, Nina Kovacheva & Valentin Stefanoff, Orlin Nedelchev, Peter Mintchev, Pravdoliub Ivanov, Rada Boukova, Rassim, Samuil Stoyanov, Stefania Batoeva, Vassil Simitchiev, Ventsislav Zankov, Vikenti Komitski.
Curated by Maria Vasileva, PhD







28 April 2012 - 08 June 2012








IVAN NENOV (1902 - 1997) RETROSPECTIVE EXHIBITION - 110th Annuversary of Artist's Birth

25 April 2012 - 08 June 2012


This retrospective jubilee exhibition, hosted by the Sofia City Art Gallery, commemorates the 110th anniversary of Ivan Nenov’s birth. He was among the most avant-garde artists of the 1930’s, who earned a special place in the history of Bulgarian visual arts.

The artist’s works belong to, various fields, namely painting, graphic arts, ceramic arts and applied arts, all of them revealing his idiosyncratic style. Regardless of the passing of time, his works never grew old, neither did they lose their lyricism and exquisiteness. They owe their appeal to their plasticity, the use of gentle, light colors, which kept their freshness, regardless of the years that have passed, as well as to the specific use of line, that singles out his work. It is the use of line that lends monumentality and plasticity to his works, contributing to their inimitable power of expression. 

The exhibition features works, belonging to different stages of Ivan Nenov’s career as an artist. It aims to reveal the artist’s multi-faceted work, which involves the use of various styles, as well as the artistic processes and approaches, showing the free spirit of a person relying on the power of his mind. The documentary aspect of the exhibition is also of interest, as it features drawings (sketches), documents and photographs, related to the artist’s life and career. Some of them are exhibited for the first time.

The exhibition features more than 80 paintings, graphic art and ceramic art works belonging to the Sofia City Art Gallery, the National Art Gallery, the Historical Museum of the Town of Balchik, the Plovdiv City Art Gallery, the “Old Plovidv” Municipal Institute, the Stara Zagora City Art Gallery, the “Iliya Petrov” Razgrad City Art Gallery, the “Dimitar Dobrovich” Sliven City Art Gallery, The “Iliya Beshkov” Pleven City Art Gallery, the Ruse City Art Gallery, the “Ivan Funev” Vratsa City Art Gallery, the “Svetlin Rusev” Donation-Collection – city of Pleven, the “Svetlin Rusev” Studio-Collection – Sofia, the “Boyan Radev” collection and other private collections. The exhibition was organized with support from and in partnership with the Ministry of Culture of the Republic of Bulgaria, the “Archives” State Agency.

An exhibition catalogue is available in Bulgarian and English.







NADEZHDA KOUTEVA FROM SAMOTHRAKI TO SOFIA

17 April 2012 - 12 May 2012


Nadezhda Kouteva is an artist exceptionally consistent in her plastic pursuits. The structure of her paintings is characterized by a slight, anxious vibration as if an ethereal breeze is swaying the space and everything within it, blowing harder at times, tilting trees and people. Architecture plays an increasingly important role in her works perhaps because it quietens the gusts of wind so as not to blow the people away. Those people are restless – like embarrassed extras accidentally gotten into the shot, hastening to get out of it at the risk of being broken up by its end. When decked out in national costume, their demeanour changes and their frieze movement turns into ritual chain dance and chant sung from music on an invisible stave for which the picture space is often not sufficient – then Nadezhda Kuteva arranges them on the next line dividing the space in belts. As melody carriers they are impersonal, unrecognizable, rhythmic accents rather than a presence charged with meaning, even when caught in the foreground. The drawings in the exhibition reveal the attention with which architectural objects are composed, the main goal being the vibrating of the space between and within them. The significance of space in her most successful works is dominant, that is why the place preferred for still life is the window sill. When skies and sea waves are not sufficient, the reflections of the clouds passing by come to the aid.

In this traveller’s exhibition temples take a special place. Something happens in the reflected light around St. Geroge’s Rotunda, the silhouettes of the visitors in the Russian Church are reminiscent of the Italian Renaissance, the saints walk about together with the worshippers in the half-demolished Nessebar church of St. John Theologian where light and winds rush in from all directions.

Works in the collections of The National Art Gallery, Sofia City Art Gallery, the Art Galleries of Gabrovo, Kjustendil, Plovdiv, Sliven, Stara Zagora; The Humour and Satire House, Gabrovo, Poland, Slovakia and Private Collections in Bulgaria, England, Germany, Korea, USA, France, Holland, Japan.





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Vaska Emanuilova Gallery